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Arsenal of ancient mechanical artillery in the Saalburg, Germany; left: polybolos reconstruction by the German engineer Erwin Schramm (1856–1935). The polybolos (the name means "multi-thrower" in Greek [1]) was an ancient Greek repeating ballista, reputedly invented by Dionysius of Alexandria (a 3rd-century BC Greek engineer at the Rhodes arsenal, [2] [3]) and used in antiquity.
[2] PSE Archery is one of the leading bow, crossbow and flowbow manufacturers in the world, its products are widely used in many fields including hunting and sports. [3] PSE was acquired in February 2023 from the former owner Pete Shepley by Heritage Outdoor Group, an newly-formed investment holding company designed to acquire existing outdoor ...
The narrator echoes Inferno 2.32 in the poem (2.588–592). The Monk's Tale from The Canterbury Tales describes (in greater and more emphatic detail) the plight of Count Ugolino (Inferno, cantos 32 and 33), referring explicitly to Dante's original text in 7.2459–2462.
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
The bolts are designed to have the same diameter as the air rifle pellet (.177) and Small bore caliber rifle cartridge (.22). The end of the bolt is a screw with a blunt end, with the screw swirling pattern helping the shooter to extract the bolt easily by unscrewing the bolt from the target board.
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
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