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Demons 2 (Italian: Dèmoni 2) is a 1986 Italian horror film directed by Lamberto Bava and produced by Dario Argento.It is a sequel to Bava's 1985 film Demons and stars David Knight, Nancy Brilli, Coralina Cataldi Tassoni, as well as Argento's youngest daughter, Asia Argento, in her debut film performance at age 10.
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Yuki Kajiura (梶浦 由記, Kajiura Yuki, born August 6, 1965) is a Japanese composer, arranger and music producer. She has provided the music for several popular anime series, such as Sword Art Online, Puella Magi Madoka Magica, Fate/Zero, The Garden of Sinners, Pandora Hearts and Demon Slayer: Kimetsu no Yaiba.
2009: Incidental music for the Tim Burton exhibition at the Museum of Modern Art in 2009-2010 (selections released on Warner Bros. Records' The Danny Elfman & Tim Burton 25th Anniversary Music Box in 2010). 2013: Composed the music and provided the English-language vocals for the Hong Kong Disneyland attraction Mystic Manor. [68]
The Hollywood Studio Symphony (sometimes the Hollywood Freelance Studio Symphony) is the credited name of the symphony orchestra behind many major soundtracks, including The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Sucker Punch, Jurassic Park III, Last Samurai, Pirates of the Caribbean, We Are Marshall, Spider-Man 2, Lost and The Bourne Supremacy.
Bear McCreary (born February 17, 1979) is an American composer of film, television, and video game scores. His work includes the scores of the television series Battlestar Galactica (2004), Agents of S.H.I.E.L.D., Black Sails, Outlander, The Walking Dead, The Lord of the Rings: The Rings of Power, The Serpent Queen, Percy Jackson and the Olympians, Halo, the video games Call of Duty: Vanguard ...
Film soundtrack, Choral: Length: 2: 32: Label: Cinefantastique/Varèse Sarabande: Songwriter(s) Jerry Goldsmith "Ave Satani" is the theme song to the 1976 film The ...
In Elms' music there is a focus on timbre and the time "in between notes"; [19] he sacrifices melody and accompaniment in favour of texture and impressionism, which, with the assistance of found sounds — in a manner similar to musique concrète — is often evocative of environments or landscapes.