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The New Testament in the Bau Bidayuh language (Ethnologue: sne) spoken by the Bidayuh people (also known as the Land Dayak) of Sarawak was published by the Bible Society of Malaysia in 2020. The New Testament is known as Kitab Janyji-Sipokat De Bauh. The print and audio format of the New Testament was dedicated and launched on 23 February 2020 ...
The most widespread translation used by Indonesian right now is Terjemahan Baru (1985), or "New Translation" published by LAI ("Lembaga Alkitab Indonesia" or Indonesian Bible Society). Gottlob Brückner (1783–1857) translated the Bible into Javanese , the largest local language of Indonesia, in 1820 [ 5 ]
Koplo or dangdut koplo is a subgenre of dangdut, Indonesian popular dance & folk music, that originated in East Java during the early 2000s. The genre gets its name from the slang term " koplo " which refers to a hallucinogenic drug that is sold cheaply in Indonesia.
The Reformed Evangelical Church of Indonesia (Indonesian: Gereja Reformed Injili Indonesia; Chinese: 印尼歸正福音教會), abbreviated GRII, also Indonesian Reformed Evangelical Church (IREC), is a Reformed Christian church that is headquartered in Jakarta, Indonesia. It was founded by Stephen Tong, a Chinese-born Indonesian evangelist.
The Indonesian Christian Church Synod (Indonesian: Gereja Kristen Indonesia) abbreviated as Sinode GKI, is an Indonesian church of Presbyterian denomination. It adheres to Calvinist theology, with head office located in Jakarta.
The first discourse (Matthew 5–7) is called the Sermon on the Mount and is one of the best known and most quoted parts of the New Testament. [6] It includes the Beatitudes, the Lord's Prayer and the Golden Rule. To most believers in Jesus, the Sermon on the Mount contains the central tenets of Christian discipleship. [6]
Netflix's highly anticipated boxing event between Mike Tyson and Jake Paul experienced multiple technical glitches, leading to investor concerns over the company's ability to broadcast live events.
Dangdut (/ d ɑː ŋ ˈ d uː t /) is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic, and, to a lesser extent, Malay, Minangkabau, Javanese, Sundanese and local folk music.
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