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Guernica was painted using a matte house paint specially formulated at Picasso's request to have the least possible gloss. [1] American artist John Ferren assisted him in preparing the monumental canvas, [ 21 ] and photographer Dora Maar , who had been working with Picasso since mid-1936 photographing his studio and teaching him the technique ...
During the creation of Guernica, Picasso made his first studies of a weeping woman on 24 May 1937, however, it was not to be included in the composition of Guernica.An image of the weeping woman was inserted in the lower right of the painting, but this was removed by Picasso, who considered that it would upstage the agonised expressions of the four women in the painting.
The images form a sequence like those in a comic book (in particular, the Spanish auca) and have a loose narrative: [1] [2] Franco's form changes from panel to panel. The Spanish dictator's appearance has been likened by various writers to a "jackbooted phallus", [7] "an evil-omened polyp" [6] and "a grotesque homunculus with a head like a gesticulating and tuberous sweet potato".
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The painting illustrated the conflict between Picasso and his wife by merging her features with his own. [5] This duality is also evident in a 1937 painting of Walter titled Marie-Thérèse with Red Beret with Pompom, in which the features of Walter and Maar are both present. Maya Ruiz-Picasso commented on this merging of the two women, stating ...
Guernica (/ ɡ ɜːr ˈ n iː k ə, ˈ ɡ ɜːr n ɪ k ə /, [3] Spanish pronunciation: [ɡeɾˈnika]), officially Gernika (pronounced) in Basque, is a town in the province of Biscay, in the Autonomous Community of the Basque Country, Spain.
The bombing is the subject of the anti-war painting Guernica by Pablo Picasso, which was commissioned by the Spanish Republic. It was also depicted in a woodcut by the German artist Heinz Kiwitz , [ 9 ] who was later killed fighting in the International Brigades , [ 10 ] and by René Magritte in the painting Le Drapeau Noir . [ 11 ]
Guernica is an immense black-and-white, 3.5-metre (11 ft) tall and 7.8-metre (23 ft) wide mural painted in oil. The mural presents a scene of death, violence, brutality, suffering, and helplessness without portraying their immediate causes. The choice to paint in black and white invokes the immediacy of a newspaper photograph. [48]