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The other three genres are tragedy, epic poetry, and lyric poetry. Literature, in general, is defined by Aristotle as a mimesis, or imitation of life. Comedy is the third form of literature, being the most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is ...
Screwball comedy: Screwball comedies are a genre of comedy that emerged in the 1930s and became popular in the 1930s and 1940s. They are characterized by their fast-paced, witty dialogue, farcical situations, and romantic storylines that often involve a battle of the sexes. Cary Grant, Rosalind Russell, Ralph Bellamy [4] Shock humor
Comedy (including comic novel, light poetry, and comedic journalism): usually a fiction full of fun, fancy, and excitement, meant to entertain and sometimes cause intended laughter; but can be contained in all genres.
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. [1] For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a ...
Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: There are differences in music rhythm, harmony, meter, and melody.
The genres Aristotle discusses include the epic, the tragedy, the comedy, dithyrambic poetry, and phallic songs. Genres are often divided into complex sub-categories. For example, the novel is a large genre of narrative fiction; within the category of the novel, the detective novel is a sub-genre, while the "hard-boiled" detective novel is a ...
The term black humor (from the French humour noir) was coined by the Surrealist theorist André Breton in 1935 while interpreting the writings of Jonathan Swift. [8] [9] Breton's preference was to identify some of Swift's writings as a subgenre of comedy and satire [10] [11] in which laughter arises from cynicism and skepticism, [8] [12] often relying on topics such as death.
The Duel Scene from 'Twelfth Night' by William Shakespeare, William Powell Frith (1842). In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.