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The UK Singles Chart is a record chart compiled on behalf of the British record industry. Since 1997, the chart has been compiled by the Official Charts Company (formerly The Official UK Charts Company and the Chart Information Network) and until 2005 (when digital downloads were included in the chart compilation), the chart was based entirely on sales of physical singles from retail outlets.
These concerts made "One of These Days" the only song played at Pink Floyd's 1971 performance and Gilmour's 2016 performance. Roger Waters played the piece in the first set of songs on his 2017 Us + Them Tour. The song also features in Nick Mason's Saucerful of Secrets show, again featuring Guy Pratt on bass.
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Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [ 1 ] and encompasses instrumental recordings of standards , hit songs , non- rock vocals and instrumental covers of selected popular rock songs.
The song was used extensively throughout all 6 episodes of the 1985 BBC comedy series Happy Families (the lead male character is named Guy). It is also used in the seventh episode of Diamonds in the Sky (1979), a BBC – Channel 9 Perth co-production about the history of commercial aviation, and is played frequently in the 1980 movie Oh ...
Pride & Prejudice (Music from the Motion Picture) is the soundtrack to the 2005 film of the same name and was composed by Dario Marianelli and performed by Jean-Yves Thibaudet (piano) and the English Chamber Orchestra. The movie Pride & Prejudice is a screen adaptation of the 1813 novel Pride and Prejudice by Jane Austen. [1]
After Hours" is a blues piano composition composed by pianist Avery Parrish. It is usually played in G. The first recording of the song was by Parrish with the Erskine Hawkins Orchestra, on June 10, 1940, [1] and was released on the Bluebird record label. It was an instant hit, and subsequently became a jazz standard.
4′33″ greatly influenced modernist music, furthering the genres of noise music and silent music, which—whilst still controversial to this day—reverberate among many contemporary musicians. Cage re-explored the idea of silent composition in two later renditions: 0′00″ (1962) and One 3 (1989).