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In the spring of 1865, Hall wrote "Jesus Paid It All" "on the fly-leaf of the New Lute of Zion hymnal, in the choir of the Methodist Episcopal Church, Baltimore." [3] [4] [5] Hall then shared the lyrics with her pastor who connected her with the church organist, John Grape (1835-1915), who had recently shared a new tune he had written.
"Glorious Things of Thee Are Spoken", also called "Zion, or the City of God", [1] is an 18th-century English hymn written by John Newton, who also wrote the hymn "Amazing Grace". Shape note composer Alexander Johnson set it to his tune "Jefferson" in 1818, [ 2 ] and as such it has remained in shape note collections such as the Sacred Harp ever ...
Siionin virret ("Hymns of Zion") is a hymnbook of the Finnish Awakening religious revival movement (Herännäisyys). The hymnal is used in the traditional conventicle 'seurat' which is an informal religious gathering taking often place in homes. Hymns of Zion are also sung in the religious summer festival 'Herättäjäjuhlat' of the Awakening ...
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Not only the musical forms, but the individual tunes of the Catholic Church were replaced by reformers, although there was often a close relation between the original and the replacement. Composers, including Martin Luther himself, both composed new tunes for the German chorale texts and adapted specific plainchant melodies. These chorales were ...
The text of the hymn is based on the 48th Psalm and is replete with Christian symbolism, and its music is close to individual Voices of the Great Znamenny Chant. The melody of the anthem was used in a German song to the lyrics Ich bete an die Macht der Liebe [ de ] ("I pray to the power of love") by Gerhard Tersteegen .
The oldest song of Zion in Jewish literature was written around the fifth century BCE, and is a lamentation that the enemy compels Israel to live on foreign soil; this is the celebrated Psalm 137:1-3. A similar Zionide of the same period is Psalm 86; in it the poet, full of hope, sings of the day when the Captivity shall be over and the ...
O'Dette, who was born in Pittsburgh, began playing the electric guitar in a rock band in Columbus, Ohio, where he grew up. Eventually, this led him into playing guitar transcriptions of lute music, and not long after that he opted for the lute (as well as the related archlute, theorbo, and Baroque guitar) as his primary instruments, and now he specializes in the performance of Renaissance and ...