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English: Palm leaf etching is a traditional form of art from Odisha. Palm leaves are dried, soaked in water, dried again and pressed to be made straight. A metallic (mostly Iron) stylus (called Lekhani in Odia) is used for writing on it. Natural colors (made from wood apple paste and charcoal) is applied on the written text or picture.
The above palm leaf manuscript pages are from Kerala, in Malayalam script, Sanskrit language. Such manuscripts were produced and preserved in Hindu temples. The image is a part of endangered manuscripts preservation programme supported by Arcadia, a digitization initiative by SAHA: Stirring Action on Heritage and the Arts, with archival support ...
It has been widely translated in Indian languages as well as numerous non-Indian languages. Over 200 translations exist in the English language alone, with the first published in 1785 by Charles Wilkins. This is a photograph of a 2-D palm lead manuscript page produced in the 16th century and discovered in Kerala.
The palm leaf manuscript shows all signs of age-related decay. Further, the order of the pages are a bit jumbled as the text does not flow from one page to another, but is more meaningfully connected to a distant page inside the book. The manuscript has not been published yet (as of 2018).
Palm leaf pattachitra which is in Oriya language known as Tala Pattachitra drawn on palm leaf. First of all palm leaves are left for becoming hard after being taken from the tree. Then these are sewn together to form like a canvas. The images are traced by using black or white ink to fill grooves etched on rows of equal-sized panels of palm ...
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The sastras are made of dried palm leaves from the Corypha lecomtei palm tree or more often from the traeng tree, also known as talipot palm and by its scientific name of corypha umbraculifera. [1] Once cut off from the tree, the leaves are ordered, cleaned, heated, straightened, and tied together in what is known as an olla book or palm-leaf ...
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