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It is a room that can be made completely dark to allow the processing of light-sensitive photographic materials, including film and photographic paper. Various equipment is used in the darkroom, including an enlarger, baths containing chemicals, and running water. Darkrooms have been used since the inception of photography in
Fixed safelight in darkroom. An amber (light brown) safelight for use with certain black-and-white photographic papers. A safelight is a light source suitable for use in a photographic darkroom. It provides illumination only from parts of the visible spectrum to which the photographic material in use is nearly, or completely insensitive.
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Image credits: dendy_d The concept of manipulation existed way before the birth of Adobe Photoshop in 1990. According to the National Science and Media Museum, it came as “darkroom trickery ...
A darkroom technician can correct perspective distortion in the printing process. It is usually done by exposing the paper at an angle to the film, with the paper raised toward the part of the image that is larger, therefore not allowing the light from the enlarger to spread as much as the other side of the exposure.
Burning: a darkroom technique. To burn-in a print, the print is first given normal exposure. Next, extra exposure is given to the area or areas that need to be darkened. A card or other opaque object is held between the enlarger lens and the photographic paper in such a way as to allow light to fall only on the portion of the scene to be darkened.
Electronic Timer-Analyzer. A photo-lab timer, photo interval timer, or darkroom timer is a timer used in photography for timing the process of projecting negatives to photosensitive paper with an enlarger, making photographic prints of them at any scale.
Image credits: drawerofdrawings Lastly, D.C. Stuelpner shared with us the most rewarding aspects of being a comic artist: “A lot of my work-for-hire art jobs never see the light of day.
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