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The Great Wave off Kanagawa is a landscape-format yoko-e print that was produced in an ōban size of 25 cm × 37 cm (9.8 in × 14.6 in). [18] [19] The landscape is composed of three elements: a stormy sea, three boats, and a mountain. The artist's signature is visible in the upper left-hand corner.
The Giant (巨人傳, Kyojinden) is a 1938 black-and-white Japanese film directed by Mansaku Itami [1] and based on the famous five-part novel Les Misérables by French poet and novelist Victor Hugo. The film's setting was changed from France to Edo-period Japan.
Neopan was originally a family of black-and-white films from Japanese manufacturer Fujifilm for both professional and amateur use. The range now only comprises one film; Neopan ACROS 100 II, a traditional silver halide black and white film re-launched in 2019 and currently sold worldwide.
Black Rain (1989 Japanese film) Black River (1957 film) Black Test Car; Blood Is Dry; Bloody Spear at Mount Fuji; Boyhood (1951 film) Branded to Kill; Brooba; A Brother and His Younger Sister; Brothers and Sisters of the Toda Family; Bullet Ballet; The Burmese Harp (1956 film) The Burning Sky; Bushido, Samurai Saga
A woman making a tray landscape showing the full moon. Ukiyo-e woodblock print by Yōshū Chikanobu, 1899. Bonseki (盆石, "tray rocks") is the ancient Japanese art of creating miniature landscapes on black trays using white sand, pebbles, and small rocks.
Splashed-ink Landscape (破墨山水, Haboku sansui) by Sesshū Tōyō, 1495 Sesshu landscape in hatsuboku style. Haboku (破墨) and Hatsuboku (溌墨) are both painting techniques employed in suiboku (ink-wash painting) in China and Japan, as seen in landscape paintings, involving an abstract simplification of forms and freedom of brushwork.
Snow Trail (Japanese: 銀嶺の果て, Hepburn: Ginrei no Hate) is a 1947 black-and-white Japanese film directed by Senkichi Taniguchi from a screenplay by Akira Kurosawa. [2] It was the first film role for Toshirō Mifune , [ 3 ] [ 2 ] later to become one of Japan's most famous actors.
The convention of wearing black to imply that the wearer is invisible on stage is a central element in bunraku puppet theatre as well. Kuroko will wear white or blue in order to blend in with the background in a scene set, for example, in a snowstorm, or at sea, in which case they are referred to as "Yukigo" (雪衣, snow clad) or "Namigo" (波衣, wave clad) respectively.
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