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The title, Le Dîner de Cons can be translated into English as "The Dinner of Fools" (which is one translation used for the title of the film version, the other being "The Dinner Game"). " Con " can be translated as "prat", not as is popularly believed to be the English equivalent for "Connasse": "Cunt".
Sino-Xenic vocabularies are large-scale and systematic borrowings of the Chinese lexicon into the Japanese, Korean and Vietnamese languages, none of which are genetically related to Chinese. The resulting Sino-Japanese , Sino-Korean and Sino-Vietnamese vocabularies now make up a large part of the lexicons of these languages.
Sino-Korean words constitute a large portion of South Korean vocabulary, the remainder being native Korean words and loanwords from other languages, such as Japanese and English to a lesser extent. Sino-Korean words are typically used in formal or literary contexts, [ 5 ] and to express abstract or complex ideas.
The majority of Zainichi Koreans use Japanese in their everyday speech, even among themselves. The Korean language is used only in a limited number of social contexts: towards first-generation immigrants, as well as in Chosŏn Hakkyo, (Korean: 조선학교; Hanja: 朝鮮學校, or Chōsen Gakkō; 朝鮮学校, "Korean School"), pro-Pyongyang ethnic schools supported by Chongryon.
The Dinner Game (French: Le Dîner de Cons, pronounced [lə dine d(ə) kɔ̃]; literally Dinner of Fools) [4] is a 1998 French comedy film written and directed by Francis Veber, adapted from his play Le Dîner de Cons. It became that year's top-grossing French film at the French box office (second overall behind Titanic). [5]
Sino-Japanese vocabulary, also known as kango (Japanese: 漢語, pronounced, "Han words"), is a subset of Japanese vocabulary that originated in Chinese or was created from elements borrowed from Chinese. Some grammatical structures and sentence patterns can also be identified as Sino-Japanese.
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Foreign words when used in Korean undergo transcription, to make them pronounceable and memorable.Transcription into Korean, for the most part, is very similar to or even influenced by transcription into Japanese, although the number of homophones resulted by imperfect mapping of foreign sounds onto native sounds is significantly smaller, as Korean has a larger phoneme inventory and a more ...