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The Fisherman and the Little Fish; The Fly and the Ant; The Fly in the Soup; The Fowler and the Snake; The Fox and the Crow; The Fox and the Grapes; The Fox and the Lion; The Fox and the Mask; The Fox and the Sick Lion; The Fox and the Stork; The Fox and the Weasel; The Fox and the Woodman; The Fox, the Flies and the Hedgehog; The Frightened ...
In the 1912 edition of Aesop's Fables, Arthur Rackham chose to picture the carefree frogs at play on their King Log, a much rarer subject among illustrators. [13] But the French artist Benjamin Rabier, having already illustrated a collection of La Fontaine's fables, subverted the whole subject in a later picture, Le Toboggan ('The sleigh-run ...
A frog leaves his native swamp and proclaims himself a wonder-working doctor. He is then asked by a sceptical fox how it is that he cannot cure his own lameness and sickly complexion. The fox's taunt echoes the Greek proverb, " Physician, heal thyself ", which was current in Aesop's time (and was later quoted in the Christian scriptures).
The fable was a favourite in England and was put to popular use on 18th century china by the Fenton pottery [13] and in the 19th century by the Wedgwood pottery. This was on its Aesop series of coloured plates, signed by Emile Lessore in the 1860s. [14] Minton's pottery also used the fable on a series of Aesop tiles a little later.
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller who lived in ancient Greece between 620 and 564 BCE. Of varied and unclear origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers ...
The Fable of Fox and Heron is an oil painting by Frans Snyders depicting the story from Aesop's Fable.It was created in Antwerp sometime between 1630 and 1640, [1] the painting is a composite of two stories, "The Fable of the Fox and Heron (or stork)" and "The Frogs who asked for a King". [2]
The fable was given further currency in La Fontaine's Fables (V. 3). [2] The popularity of the fable in England was eventually overtaken by the similar story "The Hawk and the Nightingale", which had the advantage of being reinforced by the proverb "A bird in the hand is worth two in the bush".
The first to do so was the royalist John Ogilby, adding the fable to his 1665 edition, coupled with an illustration by Wenceslas Hollar of frogs demonstrating against the background of the Amsterdam Town Hall. According to this interpretation, the Republic was ungratefully throwing over its former ally who (in its own view, at least) had helped ...
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