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The theory is based on four basic assumptions: . Objects differ in the fluency with which they can be processed. Variables that facilitate fluent processing include objective features of stimuli, like goodness of form, symmetry, figure-ground contrast, as well as experience with a stimulus, like repeated exposure or prototypicality.
Marketing also began to draw on the lessons of art psychology in the layout of stores as well as in the placement and design of commercial goods. [13] Art psychology, generally speaking, was at odds with the principles of Freudian psychoanalysis with many art psychologists critiquing what they interpreted as its reductivism.
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
In narrative films, plots are guided by camera placement and movement, dialogue, sound effects, and editing. Some aspects of film are driven by bottom-up or sensory guided factors (such as light, motion or sound), whereas other aspects depend more on top-down or conceptually driven factors, like past experiences and internal motivations.
Theory & Psychology is a forum for theoretical and meta-theoretical analysis in Psychology. The journal publishes papers which focus on the emergent themes of contemporary psychological debate. Theory & Psychology is published six times a year and is aimed at a broad psychological audience, particularly those concerned with the evolution of ...
Art and Illusion, A Study in the Psychology of Pictorial Representation, is a 1960 book of art theory and history by Ernst Gombrich, derived from the 1956 A. W. Mellon Lectures in the Fine Arts.
These contributors may publish in a variety of journals, including journals for general psychology, like American Psychologist. There are several journals dedicated specifically to theoretical psychology, like Theory & Psychology and Journal of Theoretical and Philosophical Psychology. Many other organizations are beginning to recognize ...