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The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
In the Li Sao, two individual shaman are specified, Ling Fen (靈氛) and Wu Xian (巫咸). [86] This Wu Xian may or may not be the same as the (one or more) historical person(s) named Wu Xian. Hawkes suggests an equation of the word ling in the Chu dialect with the word wu. [87]
Wu wrote an opera Yinjiu du Sao (Reading the "Li Sao" While Drinking), [1] also known as Qiaoying (The Fake Image). [4] Two collections of her works were published: Hualian ci (Flower curtain lyrics) and Xiangnan xuebei ci (Lyrics from South of the Fragrance and North of the Snows). She became a student of the poet Chen Wenshu.
In his poem "Li Sao", author Qu Yuan describes an aerial crossing of the Moving (or Flowing) Sands on a shamanic spiritual Journey to Kunlun. "Moving Sands forms one of the obstacles the fictional version of the monk Xuanzang and companions must cross over on their mission to fetch the Buddhist scriptures from India and return them to Tang China.
Chinese shamanic spirit journeys are a key literary device in both Zhengao poems and earlier Chuci (Songs of Chu) poems such as Li Sao (Encountering Sorrow), Yuan You (Far-off Journey), Jiu Ge (Nine Songs), and Jiu Bian (Nine Changes). Chinese wu shamans were spirit mediums who practiced divination, prayer, sacrifice, and rainmaking. Many of ...
The Chinese Cultural Center (Chinese: 鳳凰城中國文化中心), now the Outlier Center, was a Chinese-themed retail complex in Phoenix, Arizona.It was developed in 1997 by BNU Corporation, a subsidiary of COFCO, a Chinese state-run enterprise and the country's largest food processor, manufacturer and trader. [1]
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The mountain is mentioned in the Classic of Mountains and Seas and is a location mentioned by Qu Yuan in his classic poem Li Sao, one of the Songs of Chu (line 355), which the poet visits during a shamanic, spiritual journey. Li Bo and other poets also make allusions or references to Buzhou.
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