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In the 17th century the Dutch were very interested in flowers and gardening, so paintings that highlighted the beauty of nature were highly valued. This helped to build and maintain Ruysch's clientele throughout her career. [7] In her lifetime her paintings were sold for prices as high as 750–1200 guilders.
This is a list of Dutch painters who were born and/or were primarily active in the Netherlands. For artists born and active in the Southern Netherlands , see the List of Flemish painters . The artists are sorted by century and then alphabetically by last name.
Ambrosius Bosschaert the Elder (18 January 1573 – 1621) was a Flemish-born Dutch still life painter and art dealer. [1] He is recognised as one of the earliest painters who created floral still lifes as an independent genre. [2]
The painting was by Albert Neuhuys, a dutch painters born in 1844 who liked depicting family life in his artwork. The appraiser said it was likely painted in the last quarter of the 19th century.
This is an incomplete list of Flemish painters, with place and date of birth and death, sorted by patronymic, and grouped according to century of birth.It includes painters such as Rubens from (or mostly active in) the Southern Netherlands, which is approximately the area of modern Flanders and modern Wallonia.
Lorena Kloosterboer (born 1962), Dutch-Argentine painter and sculptor; Nel Kluitman (1879–1961), painter, sculptor; Catharina van Knibbergen (1630–1675), Golden Age landscape painter; Henriëtte Geertruida Knip (1783–1842), flower painter; Rie Knipscheer (1911–2003), painter; Elise Thérèse Koekkoek-Daiwaille (1814–1881), painter ...
Netherlands Institute for Art History "Dutch Paintings of the Seventeenth Century in the Rijksmuseum Amsterdam", Volume 1: Artists Born Between 1570 and 1600, by Jonathan Bikker, Yvette Bruijnen, Gerdien Wuestman, Everhard Korthals Altes, Jan Piet Filedt Kok, and Taco Dibbits, 2008 ISBN 9789086890279
The red admiral butterfly (Vanessa atalanta) appears in various locations within most of her substantial paintings, [8] sometimes resting on a flower stem, or on the edge of a table with a flower vase, or on a book. The butterfly was used as a device to draw the viewer's attention into the painting and into van Oosterwijck's artistic vision. [8]