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Compared to the Renaissance architecture of other Italian cities, in Venice there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than ...
Penny, Nicholas, The Sixteenth Century Italian Paintings, Volume II: Venice 1540–1600, National Gallery Publications Ltd (National Gallery Catalogues (new series)), 2008, ISBN 1857099133. Jimenez-Blanco, Maria Dolores, and Museo Nacional del Prado (eds.), The Prado Guide, English 2nd revised edition, 2009.
Francesco Guardi, View of Punta di Dogana in Venice. Antonio Gambello (mid-1400s), architect and sculptor [8] Antonio Gaspari (late 17th century), architect, student of Baldassare Longhena [9] Giuseppe Vittore Ghislandi or Fra' Galgario (1655–1743), painter, trained in Venice; Michele Giambono (c. 1400–c. 1462), painter and mosaic maker
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
Venice proved to be a more powerful adversary, and with the decline of Genoese power during the 15th century Venice became pre-eminent on the seas. In response to threats from the landward side, from the early 15th century Venice developed an increased interest in controlling the terrafirma as the Venetian Renaissance opened.
Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese (/ ˌ v ɛr ə ˈ n eɪ z eɪ,-z i / VERR-ə-NAY-zay, -zee, US also /-eɪ s i /-see; Italian: [ˈpaːolo veroˈneːze,-eːse]), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573).
Years of the 16th century in the Republic of Venice (22 C) ... Venetian painting; Venetian School (music) Venus and Mars (Veronese) W. War of the League of Cognac
The Venice Arsenal's main gate, the Porta Magna, was built in the late 1450s and was one of the first works of Venetian Renaissance architecture.It was based on the Roman Arch of the Sergii, a triumphal arch in Pula in Istria, now in Croatia but then Venetian territory.
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