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Century Gothic Class: Geometric : Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview
Additionally, Century Gothic's design was based on Monotype's own Twentieth Century, which was drawn by Sol Hess between 1937 and 1947 for the Lanston Monotype Company. [5] Century Gothic is similar to ITC Avant Garde in its pure geometry, and does not possess the subtle variation in stroke width found in either Futura or Twentieth Century. [6]
Poynter Gothic (1997–99) - grotesque sans-serif loosely inspired by sans-serif typefaces designed by Morris Fuller Benton of American Type Founders, including News Gothic and Franklin Gothic. Intended to harmonise with Poynter Oldstyle. Griffith Gothic (1997–2000) - revival of Bell Gothic by Chauncey H. Griffith, intended for display sizes ...
The "Included from" column indicates the first edition of Windows in which the font was included. ... Century Gothic [2] Sans Serif: ... MS Gothic [6] Sans Serif ...
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
A comparison of printing with different fonts until the ink ran out found that Ecofont Vera was similar to Century Gothic and less economical than Times New Roman. Garamond was significantly more economical, though it also sets smaller than other fonts at the same nominal point size. [9]
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
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