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After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
The painting was made by van Gogh during his stay in Auvers-sur-Oise, with Doctor Gachet. It is a copy, like van Gogh made many, of a study by Jacob Jordaens exhibited at the Palais des Beaux-Arts in Lille. The painting was not copied directly, but from an etching by Doctor Gachet from 1873, signed with his artist name, Paul van Ryssel.
Cow Pasture near Louveciennes: 1875 The Forge at Marly-le-Roi: 1875 54 x 73 Musée d'Orsay, Paris Landscape at Andresy: 1875 The Meadow: 1875 54.9 x 73 National Gallery of Art, Washington, D.C. Landscape along the Seine with the Institut de France and the Pont des Arts: c.1875 53.3 × 62.2 Art Institute of Chicago
In the mid-1870s he traveled to Picardy and became a student of the rural genre painter Désiré François Laugée, whose daughter Marie Eléonore Françoise he married in 1876; the year he exhibited his first painting at the Paris Salon.
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Matilda Browne (May 8, 1869 – November 3, 1947) [1] was an American Impressionist artist noted for her flower paintings and her farm and cattle scenes. Born in Newark, New Jersey, she was a child prodigy who received early art training from her artist-neighbor, Thomas Moran.
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