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The film was released by Toei Company on 11 March 1984 [13] [24] on a double bill with a compilation film of the Italian-Japanese anime television series Sherlock Hound episodes "The Adventure of the Blue Carbuncle" and "Treasure Under the Sea". [25] Upon the film's 1984 release, it received a recommendation from the World Wide Fund for Nature ...
Nouvelle Vague (English: New Wave) is a 1990 French film written and directed by Jean-Luc Godard. It follows the story of hitchhiker Lennox (Alain Delon) credited as Lui (He), taken in by a wealthy industrialist, Elena Torlato-Favrini or Elle (She), played by Domiziana Giordano. The film was entered into the 1990 Cannes Film Festival. [3]
Sam Raimi made his feature film directorial debut with this classic horror film. Bruce Campbell stars as Ash Williams, who joins his friends on a vacation to an isolated cabin in Tennessee.
The Prey of the Wind (French: La proie du vent) is a 1927 French silent drama film directed by René Clair and starring Charles Vanel, Sandra Milovanoff and Jean Murat. [ 1 ] The film's sets were designed by Lazare Meerson .
The short film premiered at the 2009 Sundance Film Festival, where it won the Jury Prize in Short Filmmaking. [11] Cretton at the Deauville American Film Festival in 2013. After graduating from film school, Cretton made his feature directorial debut with the 90 minute film, I Am Not a Hipster, which premiered at Sundance on January 20, 2012. [12]
90 Degrees North: 90 Grad Nord: Detsky Graffam Germany: In the Distance: Florian Grolig We All Love the Seashore: Tout le monde aime le bord de la mer: Keina Espiñeira Spain: A Man Returned : Mahdi Fleifel United Kingdom, Denmark, Netherlands, Lebanon: Small Talk: Even Hafnor, Lisa Brooke Hansen Norway: I'm Not From Here: Yo no soy de aquí
Wind from the East (French: Le Vent d'est) is a 1970 film by the Dziga Vertov Group, a radical filmmaking cooperative that, at its core, included Jean-Luc Godard and Jean-Pierre Gorin. As with most films from this period in Godard's career, directing credit was given to the collective and not himself or other individual filmmakers.
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