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Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of ornamentation because decorated ceilings were favored.
The dark blue, teal, and gold tapetum lucidum from the eye of a cow Retina of a mongrel dog with strong tapetal reflex. The tapetum lucidum (Latin for 'bright tapestry, coverlet'; / t ə ˈ p iː t əm ˈ l uː s ɪ d əm / tə-PEE-təm LOO-sih-dəm; pl.: tapeta lucida) [1] is a layer of tissue in the eye of many vertebrates and some other animals.
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
The design of the blue satin draperies is derived from early 19th-century French patterns. The present drapery design is similar to those installed during the administration of Richard Nixon. Clement Conger , White House Curator at that time, used archive materials from the Society for the Protection of New England Antiquities and the ...
Overall, the postform countertop is the most economical countertop on the market, and has the broadest selection of surface material to choose from. Surfaces can be either a solid color, or a pattern, and textures range from a satin furniture finish to a heavily textured stone or pebbled appearance to a high gloss resolution.
The Red and Blue Chair is a chair designed in 1917 by Gerrit Rietveld. It represents one of the first explorations by the De Stijl art movement in three dimensions. It features several Rietveld joints. The original chair was constructed of unstained beech wood and was not painted red, blue, yellow, and black until around 1923.
New plaster work in the form of a gilded cornice-line frieze of anthemion (a flowerlike, traditional Greek decorative pattern) was installed, [4] [16] and the walls plastered (and left unpainted) as well. [17] Federal style furniture, made by Georgetown craftsman William King Jr., was added to the East Room by President James Monroe in 1818. [18]
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