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Schechner went on to become one of the founders of the Performance Studies department of the Tisch School of the Arts, New York University. He founded The Performance Group of New York in 1967 and was its artistic director until 1980, when they changed their name to The Wooster Group .
Dionysus in 69 is an example of Richard Schechner's theories of environmental theater in terms of the uses of the performing space, deconstruction of classic texts, and audience participation. In his book, Schechner describes participation as the opening up of a play so that the audience/spectators can enter into the action—they are included ...
Performance studies is an interdisciplinary academic field that teaches the development of performance skills and uses performance as a lens and a tool to study the world. . The term performance is broad, and can include artistic and aesthetic performances like concerts, theatrical events, and performance art; sporting events; social, political and religious events like rituals, ceremonies ...
TDR: The Drama Review is an academic journal focusing on performances in their social, economic, aesthetic, and political contexts. [1] [2] The journal covers dance, theatre, music, performance art, visual art, popular entertainment, media, sports, rituals, and performance in politics and everyday life.
The Performance Group (TPG) was an experimental theater troupe that Richard Schechner founded in 1967 in New York City. TPG's home base was the Performing Garage in the SoHo district of Lower Manhattan. After 1975, tensions led to Schechner's resignation in 1980.
Performativity is the concept that language can function as a form of social action and have the effect of change. [1] The concept has multiple applications in diverse fields such as anthropology, social and cultural geography, economics, gender studies (social construction of gender), law, linguistics, performance studies, history, management studies and philosophy.
Several scholars, including Fuchs, have also noted that the concept of the postdramatic is not Lehmann's original idea, and that, in fact, the concept was first introduced by Andrzej Wirth of the Institut fur Angewandte Theaterwissenschaft and Richard Schechner, director of The Performance Group, and professor of Performance Studies at New York ...
In 1980, The Free Southern Theater produced their final performance, a solo piece written and performed by O'Neal titled Don't Start Me to Talking or I’ll Tell Everything I Know. The play features the character Junebug Jabbo Jones, "created by the SNCC members to represent and symbolize the wit and wisdom of common folk". [ 21 ]