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The lord on the left wears a long figured houppelande with full sleeves lined in fur, while the men of his household wear short solid-coloured houppelandes with parti-coloured or matching hose. Several of the men wear hoods around their necks, and some wear hats. France, Livre de Chasse, 1405–1410.
The long, tight sleeves of the early 17th century grew shorter, fuller, and looser. A common style of the 1620s and 1630s was the virago sleeve, a full, slashed sleeve gathered into two puffs by a ribbon or other trim above the elbow. In France and England, lightweight bright or pastel-coloured satins replaced dark, heavy fabrics.
Men wear sleeveless overgowns or jerkins over their shirts and hose, c. 1510. The prodigal son is dressed like a beggar, in undyed or faded clothing. He wears a hood and carries a hat with a brim and a wicker pack on his back, c. 1510.
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Shirt sleeves were full, gathered at the wrist and dropped shoulder. Full-dress shirts had ruffles of fine fabric or lace, while undress shirts ended in plain wrist bands. A small turnover collar returned to fashion, worn with the stock. In England, clean, white linen shirts were considered important in Men's attire. [10]
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