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The 'Outer' form is the 'Triple Gem' (Sanskrit: triratna), the 'Inner' is the Three Roots and the 'Secret' form is the 'Three Bodies' or trikāya of a Buddha. These are: [1] the Buddha, the fully enlightened one; the Dharma, the teachings expounded by the Buddha; the Saṅgha, the monastic order of Buddhism that practice the Dharma
The Dharma, the Buddhist teachings expounded by the Buddha; The Sangha, the monastic order of Buddhism that practices and preserves the Dharma. In this, it centres on the authority of a Buddha as a supremely awakened being, by assenting to a role for a Buddha as a teacher of both humans and devās (heavenly beings). This often includes other ...
Nirmāṇakāyas often appear in a world to turn the wheel of Dharma (i.e. teach Buddhism) and to display the twelve great acts of a Buddha (such as miraculous birth, renunciation, defeating Mara, enlightenment under a bodhi tree, etc) and they also may found a Sangha which maintains the teaching even after the Nirmāṇakāya has manifested ...
Some members of the ideal Sangha are not ordained; some monastics have yet to acquire the Dharma-eye. [14] Unlike the present Sangha, the original Sangha viewed itself as following the mission laid down by the Master, viz, to go forth "…on tour for the blessing of the manyfolk, for the happiness of the manyfolk out of compassion for the world ...
Buddhist symbolism is the use of symbols (Sanskrit: pratīka) to represent certain aspects of the Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree. [1] Buddhism symbolism is intended to represent the key values of the Buddhist faith.
In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most common main images in temples and shrines to the present. Early images were most often of Buddha standing, but seated meditating postures, essentially the lotus position of yoga , came to predominate.
Other notable exhibits include images of Buddha from Alluru, the Dharma Chakra from Lingarajapalli, Bodhisattvas, and a dome slab representing the Three Jewels of Buddhism (Buddha, Dharma, and Sangha) through a Bodhi tree and stupas. The centerpiece is a couple in round, exemplifying the vitality of Amaravati art during the Satavahana period.
The Karma Kagyu sect of Tibetan Buddhism developed another form of tree structure for their objects of "Refuge". The Karma Kagyu Refuge Field was described in the form of a five-branched tree by 9th Karmapa, Wangchug Dorje in his 16th-century texts Lhancig Kyejor Tri (Wylie: lhan cig skyes sbyor khrid ) and Paglam Dropa’I Shingta (Wylie ...