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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The symbol is also sometimes used by Wiccans, White Witches, and some New Agers to symbolise the Triple Goddess, or as a protective symbol. [ 7 ] In the 1998–2006 American fantasy drama Charmed , that ran on the now-defunct The WB network, the triquetra was prominently used as a symbol on the Halliwells' Book of Shadows , the book of spells ...
This diagram consists of four nodes, generally circular in shape, interconnected by six links. The three nodes at the edge of the diagram are labelled with the names of the three persons of the Trinity, traditionally the Latin-language names, or scribal abbreviations thereof: The Father ("PATER"), The Son ("FILIUS"), and The Holy Spirit ("SPIRITUS SANCTUS").
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The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches. There are two different types of Holy Trinity icons: the Old Testament Trinity and the New Testament Trinity (Троица Ветхозаветная and Троица ...
[6] [7] It is viewed as a puzzle, a visual challenge, and has been rendered as sculpture, drawing, and painting. The symbol features three hares or rabbits chasing each other in a circle. Like the triskelion, [8] the triquetra, and their antecedents (e.g., the triple spiral), the symbol of the three hares has a threefold rotational symmetry ...
The picture is painted in tempera on an oak panel covered with stretched canvas. A drawing is etched into the chalk base and its contours outlined in black. The picture is characterised by a symmetrical composition, simplified perspective-based projection and precise drawing. [2]
Holy Trinity, Hospitality of Abraham; by Andrei Rublev; c. 1411; tempera on panel; 1.1 x 1.4 m (4 ft 8 in x 3 ft 8 3 ⁄ 4 in); Tretyakov Gallery (Moscow). Russian icons represent a form of religious art that developed in Eastern Orthodox Christianity after Kievan Rus' adopted the faith from the Eastern Roman (Byzantine) Empire in AD 988. [1]