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The Agris Helmet (French: Casque d'Agris) is a ceremonial Celtic helmet from c. 350 BC that was found in a cave near Agris, Charente, France, in 1981. It is a masterpiece of Celtic art, and would probably have been used for display rather than worn in battle. The helmet consists of an iron cap completely covered with bands of bronze.
The Montefortino helmet was a type of Celtic, and later Roman, military helmet used from around 300 BC through the 1st century AD with continuing modifications. This helmet type is named after the region of Montefortino ( frazione of Arcevia ) in Italy , where a Montefortino helmet was first uncovered in a Celtic burial.
The Waterloo Helmet (also known as the Waterloo Bridge Helmet) is a pre-Roman Celtic bronze ceremonial horned helmet with repoussé decoration in the La Tène style, dating to circa 150–50 BC, that was found in 1868 in the River Thames by Waterloo Bridge in London, England. It is now on display at the British Museum in London. [1]
La Tène metalwork in bronze, iron and gold, developing technologically out of Hallstatt culture, is stylistically characterized by inscribed and inlaid intricate spirals and interlace, on fine bronze vessels, helmets and shields, horse trappings, and elite jewelry, especially the neck rings called torcs and elaborate clasps called fibulae. It ...
The Victoria and Albert Museum has many examples of Scottish jewellery from the later half of the 19th century, both pebble styles and Celtic designs. [30] The modernist period of jewellery making began in Britain in the 1950s, inspired by the sleek, simple style of Scandinavian designs from earlier in the 20th century. [31]
A 19th-century ship's figurehead depicting Brennus wearing a winged helmet. A winged helmet is a helmet decorated with wings, usually one on each side. Ancient depictions of the god Hermes, Mercury and of Roma depict them wearing winged helmets, and in the 19th century the winged helmet became widely used to depict the Celts.
Silver was not a common material in Celtic art, and certainly not on this scale. Except sometimes for small pieces of jewellery, gold or bronze were more usual for prestige metalwork. [18] At the time that the Gundestrup cauldron was created, silver was obtained through cupellation of lead / silver ores. [2]
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...