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Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ...
Epic poem – a lengthy story of heroic exploits in the form of a poem. Essay - a short literary composition that reflects the author's outlook or point; Fable – a didactic story, often using animal characters who behave like people. Fantasy – a story about characters that may not be realistic and about events that could not really happen.
Magical realism is the most commonly used of the three terms and refers to literature in particular. [2]: 1–5 Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances.
Literary fiction is often used as a synonym for literature, in the exclusive sense of writings specifically considered to have considerable artistic merit. [6] Literary fiction is commonly regarded as artistically superior to genre fiction, the latter being a form of commercial fiction written to provide entertainment to a mass audience. [7] [8 ...
The effect of reality (French: effet de réel) is a textual device identified by Roland Barthes, the purpose of which was to establish literary texts as realistic. History [ edit ]
Fiction theory (also referred to as Fictionality theory) is a discipline that applies a form of possible world theory to literature. Drawing on concepts found in related theories and psychological ideas such as Parasocial interaction (PSI) and Fictionalism , theorists of fiction study the relationships between perceived textual worlds and ...
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Austen's fiction built on and questioned the assumptions of this tradition, reacting against conduct book writers such as Hannah More, John Gregory, and Hester Chapone. [57] Beginning with the juvenilia, as early as Catharine, or the Bower , Austen viewed this genre as thoroughly mindless and irrelevant to social realities.
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