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The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
Terracotta, also known as terra cotta or terra-cotta [2] (Italian: [ˌtɛrraˈkɔtta]; lit. ' baked earth '; [3] from Latin terra cocta 'cooked earth'), [4] is a clay-based non-vitreous ceramic [5] fired at relatively low temperatures. It is therefore a term used for earthenware objects of certain types, as set out below.
Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It featured widely in the 'terracotta revival' [ 1 ] from the 1880s until the 1930s. It was used in the UK, United States , Canada and Australia and is still one of the most common building materials found in U.S. urban environments.
Working with assistants, including members of his own family, della Robbia produced a number of decorative reliefs and altarpieces until the end of his life. One of the arguably finest examples is the enameled terra-cotta ceiling (1466) of the Chapel of the Cardinal of Portugal in San Miniato, Florence.
Aquarius (1938) by Samuel Cashwan for the John F. Dye Water Conditioning Plant in Lansing, Mich.. List of New Deal sculpture is a list of sculpture found in the United States and its territories, including free standing, relief and architectural sculpture that was funded by the federal government during the New Deal era.
The Conquistador (terra cotta, 1915) The Pirate (terra cotta, 1915). A reduced size version of The Pirate was exhibited at the National Sculpture Society, 1916, [43] and the Pennsylvania Academy of the Fine Arts, 1916. [44] A 36-inch bronze version, titled Pieces of Eight, is in the collection of the National Arts Club. [45]
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A few large terracotta pinakes or plaques, much larger than are typical in Greek art, have been found in tombs, some forming a series that creates in effect a portable wall-painting. The "Boccanera" tomb at the Banditaccia necropolis at Cerveteri contained five panels almost a metre high set round the wall, which are now in the British Museum .
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