Search results
Results from the WOW.Com Content Network
Lamentation (Pietà) (also Lamentation Over The Dead Christ) is an oil painting on panel of the common subject of the Lamentation of Christ that is now regarded as by an artist in the "circle" of the Early Netherlandish painter Petrus Christus, rather than by Christus himself.
However, in practice works called a Pietà may include angels, the other figures usual in Lamentations, and even donor portraits. [ 1 ] An image consisting only of a dead Christ with angels is also called a Pietà, at least in German, where Engelpietà (literally "Angel Pietà") is the term for what is usually called Dead Christ supported by ...
7 languages. Català; Español ... (in Spanish) "Article on Artehistoria" (in Spanish). Archived from the original on 2012-02-19. This page was last edited on 19 June ...
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
Pietà or Lamentation over the Dead Christ is a fragment of a lunette fresco of c. 1475–1500 by the Italian Renaissance painter and architect Bramantino, originally over the door of the church of San Sepolcro in Milan and now in the Pinacoteca Ambrosiana in the same city.
Pietas erga parentes (" pietas toward one's parents") was one of the most important aspects of demonstrating virtue. Pius as a cognomen originated as way to mark a person as especially "pious" in this sense: announcing one's personal pietas through official nomenclature seems to have been an innovation of the late Republic, when Quintus Caecilius Metellus Pius claimed it for his efforts to ...
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
Pedro Berruguete (c. 1450 – 1504) was a Spanish painter whose art is regarded as a transitional style between Gothic and Renaissance art. Berruguete most famously created paintings of the first few years of the Inquisition and of religious imagery for Castilian retablos. He is considered by some as the first Renaissance painter in Spain. [1]