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"Guantanamera" (pronounced [ɡwantanaˈmeɾa]; Spanish for 'The woman from Guantánamo') [1] is a Cuban patriotic song, which uses a poem by the Cuban poet José Martí for the lyrics. The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929 (although it is unclear when the first release as a record o
Spanish Album was an LP album consisting of tracks from previous albums by The Sandpipers, many with re-recorded vocals in Spanish.Most of the tracks were translations of songs better-known in the United States in English.
After "Guantanamera" was released they became the Daisies. [ 20 ] Another group known as the Sandpipers (or sometimes the Golden Sandpipers) sang for Golden Records , most notably the theme to Mighty Mouse , the version that is now the best known and perhaps the original (although some sources cite the Terrytooners with Mitch Miller and orchestra).
The Sandpipers was an LP album featuring the group of the same name, released by A&M Records in May 1967.The album reached #53 on the Billboard charts.. The catalog numbers were LP 125 in monaural and SP 4125 in stereo in the U.S. and AML 901 in the U.K.
The "Guantanamera" hit group have a sure-fire sales winner in this, their debut LP which also includes their new single "Louie Louie". Produced by Tommy LiPuma, the album offers a most diversified program of fresh, creative ideas. The smooth blend of voices, backed by the Latin flavored arrangements throughout, makes it an intriguing package.
Guantanamera" is a Cuban song by Joseíto Fernández, recorded by many artists. Guantanamera may also refer to: Guantanamera (The Sandpipers album), 1966; Guantanamera (cigar), a cigar brand; Guantanamera, a 1995 Cuban comedy film
Alfredo Rodríguez Salicio (born October 7, 1985) is a Cuban composer and jazz pianist.. Alfredo Rodríguez is the older of two sons of Alfredo "Alfredito" Rodríguez, a professional singer, romantic song composer and television presenter and Mayra Salicio.
In 1928 he moved to Antilla to study piano and saxophone under the supervision of his grandfather, Emilio Rodríguez. [1] In Santiago, Peruchín had to give up the saxophone due to his asthma, so he concentrated on piano. [5] In the mid-1930s he debuted with Orquesta Chepín-Chovén, where he would alternate on piano with director Bernardo ...