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"The Flesch–Kincaid" (F–K) reading grade level was developed under contract to the U.S. Navy in 1975 by J. Peter Kincaid and his team. [1] Related U.S. Navy research directed by Kincaid delved into high-tech education (for example, the electronic authoring and delivery of technical information), [2] usefulness of the Flesch–Kincaid readability formula, [3] computer aids for editing tests ...
The common tone theorem describes that scales possessing the deep scale property share a different number of common tones for every different transposition of the scale, suggesting an explanation for the use and usefulness of the diatonic collection. [1] In contrast, the whole tone scale's interval vector contains:
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...
A signal strength and readability report is a standardized format for reporting the strength of the radio signal and the readability (quality) of the radiotelephone (voice) or radiotelegraph (Morse code) signal transmitted by another station as received at the reporting station's location and by their radio station equipment.
Readability is the ease with which a reader can understand a written text.The concept exists in both natural language and programming languages though in different forms. In natural language, the readability of text depends on its content (the complexity of its vocabulary and syntax) and its presentation (such as typographic aspects that affect legibility, like font size, line height ...
In this diatonic version of the circle, one of the fifths is not a true fifth: it is a tritone (or a diminished fifth), e.g. between F and B in the "natural" diatonic scale (i.e. without sharps or flats). Here is how the circle of fifths derives, through permutation from the diatonic major scale:
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