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There is no precise definition of the term, but lenses marketed as "standard zoom" usually cover a range of at least 30mm to 70mm in terms of 35mm equivalent focal length with an optical zoom ratio of 2.5× (e.g. 28-70mm) to 5× (e.g. 24-120mm) — the most common being 3× (e.g. 24-70mm). [1]
35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...
A 50 mm (focal length) lens on an APS-C image sensor format (crop factor 1.6) images a slightly smaller field of view than a 70 mm lens on a 35 mm sensor format camera (full frame sensor). A 80 mm lens (1.6 × 50 mm = 80 mm) with a full frame camera gives the same field of view as this 50 mm lens and APS-C sensor format combination produces.
The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
To focus an object 1 m away (s 1 = 1,000 mm), the lens must be moved 2.6 mm farther away from the film plane, to s 2 = 52.6 mm. The focal length of a lens determines the magnification at which it images distant objects. It is equal to the distance between the image plane and a pinhole that images distant objects the same size as the lens in ...
Other measures are also used; see table of sensor formats and sizes below. Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
For example, a 100 mm to 400 mm lens may have a maximum aperture of f/4.0 at the 100 mm end but will diminish to only f/5.6 at the 400 mm end of the zoom range. Zoom lenses with constant maximum apertures (such as f/2.8 for a 24–70mm lens) are usually reserved for lenses with higher build quality and are thus more expensive than those with ...