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The intention of the work was to set down the essential parts of the "ideal novel". Austen was following, and guying, the recommendations of Clarke. [1] The work was also influenced by some of Austen's personal circle with views on the novel of courtship, and names are recorded in the margins of the manuscript; [9] they included William Gifford, her publisher, and her niece Fanny Knight.
In the work, Said explored the impact British novelists such as Jane Austen, Joseph Conrad, E.M. Forster, and Rudyard Kipling had on the establishment and maintenance of the British Empire, [2] and how colonization, anti-imperialism, and decolonization influenced Western literature during the 19th and 20th centuries. [3]
Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for ...
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In 1913, William Austen-Leigh and Richard Arthur Austen-Leigh, descendants of the Austen family, published the definitive family biography, Jane Austen: Her Life and Letters – A Family Record. Based primarily on family papers and letters, it is described by Austen biographer Park Honan as "accurate, staid, reliable, and at times vivid and ...
Austen's novels can easily be situated within the 18th-century novel tradition. Austen, like the rest of her family, was a great novel reader. Her letters contain many allusions to contemporary fiction, often to such small details as to show that she was thoroughly familiar with what she read. Austen read and reread novels, even minor ones. [48]
Another issue concerning adaptations of Austen is that of gender, especially the portrayal of women. Some critics, such as Devoney Looser, have argued that by portraying strong women who are intelligent and socially adept and by emphasising the theme of sisterhood both literally between sisters and metaphorically between female friends, the Austen films become feminist films. [10]
In 2011, academic Amy Elizabeth Smith takes a year on sabbatical from her role in the Writing and Literature department of the University of the Pacific. [1] Though her Spanish language knowledge is limited, she visits six countries in Latin America to hold book club discussions on three books by Jane Austen: Sense and Sensibility (1811), Pride and Prejudice (1813) and Emma (1816). [2]