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Psalm 139 is the 139th psalm of the Book of Psalms, beginning in English in the King James Version: "O Lord, thou hast searched me, and known me". In Latin , it is known as "Domine probasti me et cognovisti me" . [ 1 ]
The opening chorus is based on Psalms 139:23, [2] focused on the examination of the believer's heart by God. [5] The closing chorale is the ninth stanza of Johann Heermann's hymn " Wo soll ich fliehen hin" (1630) on the melody of "Auf meinen lieben Gott ", [2] [6] which Bach used again in 1724 as the base for his chorale cantata Wo soll ich ...
Matthew 23:13: [1] "But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in." Matthew 26:23–24: [2] "And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me. The Son of man ...
In place of Psalm 94(95), Psalm 99(100), Psalm 66(67), or Psalm 23(24) may be used as circumstances may suggest. Verse 17 of Psalm 50(51) Domine, labia mea aperies is often used as the invitatory antiphon in the Liturgy of the Hours.
Psalm 23 is the 23rd psalm of the ... Psalms 22, 23, and 24 are seen by some as ... The Book of Common Prayer has only Psalms 39 and 90 in its Order for the ...
Responsorial psalmody primarily refers to the placement and use of the Psalm within the readings at a Christian service of the Eucharist. The Psalm chosen in such a context is often called the responsorial psalm. They are found in the liturgies of several Christian denominations, including those of Roman Catholicism, Lutheranism and Anglicanism.
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Particularly in long psalms, changes of chant may be used to signal thematic shifts in the words. Psalm 119, which is the longest in the psalter, is generally sung with a change of chant after every 8 of its 176 verses, corresponding to the 22 stanzas of the original Hebrew text. However, it is never sung all at once, but spread over successive ...