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Barney used GDAE tuning on a 17-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.
Gerry O'Connor (born 21 July 1960 in Nenagh, County Tipperary, Ireland) is a traditional tenor banjo player. As Earl Hitchener (music critic for the Wall Street Journal) said, Gerry O'Connor can be considered at the moment "the single best four string banjoist in the history of Irish Music". [1] He also plays mandolin, fiddle, guitar and tenor ...
He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Barney used GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.
One of the most respected tenor banjo players in Ireland, Enda Scahill, had just played a finger-flying, knee-bobbing jig with other well-known traditional Irish musicians at the meet-and-greet ...
Banjo, tenor 4 strings 4 courses. Standard/common : C 3 G 3 D 4 A 4. Alternate: Irish : G 2 D 3 A 3 E 4; US US via Africa Irish tuning same as octave mandolin tuning Banjo, Plectrum 4 strings 4 courses. C 3 G 3 B 3 D 4. Chicago Tuning: D 3 G 3 B 3 E 4. US via Africa Baryton: 17 strings 17 courses Two ranks. Bowed rank: A 1 D 2 G 3 C 3 E 3 A 3 D 4
Also common are tuning one octave below standard violin tuning, G 2 −D 3 −A 3 −E 4, which is typical of the tenor banjo in Irish folk music or "octave mandolin," and the so-called "Chicago tuning", D 3 −G 3 −B 3 −E 4, the same as the top four strings of a standard guitar, or the "baritone ukulele," a slightly smaller instrument ...
The most commonly used tuning is A-E-A-E. Likewise banjo players in this tradition use many tunings to play melody in different keys. A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music.
The instruments that are known in the US as the mandola and the octave mandolin tend to be known in Great Britain and Ireland as the tenor mandola or the octave mandola. The Irish bouzouki is a very similar instrument, and is often confused with the octave mandolin, but it has a shorter scale length and a different tuning.
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