Ad
related to: bach chords and harmonies- All String Sheet Music
Huge Selection of String Music
Methods, Solos, Accessories Too!
- Guitar Music
Large selection of tabs and sheets
for guitar, bass, and other fretted
- Percussion Sheet Music
Huge Selection of Percussion Music
Methods, Cadences, and Ensembles.
- Jazz Sheet Music
Shop all jazz sheet music for band,
ensemble, or solo.
- All String Sheet Music
Search results
Results from the WOW.Com Content Network
Bach's chorale harmonisations are all for a four-part choir (SATB), but Riemenschneider's and Terry's collections contain one 5-part SSATB choral harmonisation (Welt, ade! ich bin dein müde, Riemenscheider No. 150, Terry No. 365), not actually by Bach, but used by Bach as the concluding chorale to cantata Wer weiß, wie nahe mir mein Ende, BWV 27.
Bach uses a setting for strings that illustrates the instability of reason in syncopated rhythm, interrupted by chords on the repeated appeal "schweig" (be silent); [6] "bizarre" melodic lines are interrupted by rests, and the harmonies are unstable. [4]
Ex. 1 A figured bass line, and a realization for theorbo (Thomas Mace, 1676) [3] (play) Audio simulation Ex. 2 Four realizations of a short figured bass (1753) [4] (play) Ex. 3 A figured bass, and a guitar realization (Nicola Matteis, 1682) [5] (play) Ex. 4 Bach MS: the keyboard part is thought to be an extremely rare transcription of a live ...
The ascending and descending triad in Bach's prelude BWV 999 seem to have been the true inspiration and chord structure for the arpeggios in the Beatles song Because, because when the prelude is played at half-speed and on harpsichord, the similarity is striking, especially at measures 8–9–11, about 15 seconds into the prelude, with the ...
The chromatic fantasia begins as a toccata with fast, up and down surging runs in thirty-second notes (demisemiquavers) and broken chords in sixteenth-note (semiquaver) triplets, which are often diminished seventh chords lined up in semitones. The second part is a series of very clear and remotely modulating soft leading chords that are written ...
Bach's autograph (1722) of the first prelude of Book I. The Prelude and Fugue in C major, BWV 846, is a keyboard composition written by Johann Sebastian Bach.It is the first prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
In the following aria fear is expressed, according to Gardiner, in "jagged melodic shapes, unstable harmonies headed towards anguished second inversion chords, and persistent dotted rhythmic figures". [3] It has been compared to the tenor aria from Bach's St John Passion, Ach, mein Sinn. [4]
Basso continuos parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression.The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the continuo group.
Ad
related to: bach chords and harmonies