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Peer-oriented creators also value artistic integrity over financial gain, but creative industry peer opinion is the focus. Hirschman comments that these creative enterprises advocate artistic integrity as the industry norm; the methodology of ensuring that these expectations are met is through peer evaluation.
In the art business, the artistic value of a well-executed forgery is irrelevant to a curator concerned with the authenticity of provenance of the original work of art [20] — especially because formally establishing the provenance of a work of art is a question of possibility and probability, rarely of certainty, unless the artist vouches for ...
Fine art authentication is a process that ensures the integrity of artworks, preserves cultural heritage, and maintains trust in the art market.By combining traditional methods, scientific advancements, [1] [2] and emerging AI [3] and blockchain technologies, [4] art authentication can offer accurate attributions and protect the artistic legacy for future generations. [5]
Gehry argues that the organization of the artist, in addition to making possible artistic integrity, also helps keep his buildings on time and budget, which is rare for the type of innovative and complex designs that Gehry is known for. The organization of the artist thus serves the dual purpose of artistic freedom and economic prudence.
The moral rights include the right of attribution, the right to have a work published anonymously or pseudonymously, and the right to the integrity of the work. [2] The preserving of the integrity of the work allows the author to object to alteration, distortion, or mutilation of the work that is "prejudicial to the author's honor or reputation ...
Museum conservators strive to maintain the integrity of each work of art throughout its life, whenever it is handled, stored, displayed, or shipped to other locations for exhibitions. [4] Direct and supervise curatorial, technical, and student staff in the handling, mounting, care, and storage of art objects. [7]
The New Yorker published E. B. White's poem "I paint what I see: A ballad of artistic integrity", an imaginary debate between Nelson Rockefeller and Rivera, on May 20, 1933. [78] The incident has also been dramatized in the American films Cradle Will Rock (1999) and Frida (2002), both set in the 1930s. [76]
A prestige picture is a film produced to bolster the film studio's perceived artistic integrity, rather than to turn a large profit; [1] the studio may even expect the film to lose money. [ 2 ] History