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You're in the Army Now (song) Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
Walking in Space is a 1969 studio album by Quincy Jones. [3] The album was recorded for A&M who released the album with a cover photo of Jones taken by Pete Turner . Vocalist Valerie Simpson is featured on the title track, an arrangement of a song from the hit rock musical Hair .
"Start Walking" is a pop song. [4] Styrke described the song as a "disco banger". [2]Regarding its lyrics, she deemed it an "upbeat song with sad lyrics". [5] She said, "It's about a person who knows a relationship is over, and how it sucks to actually be the one to leave but you know there is no other way."
The song was created by Preston improvising while calling out chord changes to the backing band. He later added organ and hand claps. Preston named the song "Outa-Space" for the instrumental's spacy sound. [1] While he thought it would be a hit, A&M was skeptical and issued it as the B-side of "I Wrote a Simple Song" in December 1971. [1]
The "Eton Boating Song" is the best known of the school songs associated with Eton College that are sung at the end-of-year concert and on other important occasions. It is also played during the procession of boats.
The Penguin Guide to Jazz states: " 'Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." [8] In a musical analysis of Adderley's improvisational bebop style, Kyle M. Granville writes that the song is "connected to the soul-jazz style that Nat Adderley and his brother Cannonball Adderley immersed themselves into during the ...
Russell liked his song "Space Captain" and invited Moore to join an upcoming US tour with Cocker, where he sang backing vocals. [2] The tour was recorded and a version of the song was released on the live album Mad Dogs and Englishmen. [3] [4] A different recording of the song was released as the B-side of Cocker's hit single, "The Letter". [5]
The narrator sees a beautiful young woman walking with a soldier, often a grenadier. They walk on together to the side of a stream, and sit down to hear the nightingale sing. The grenadier puts his arm around the young woman's waist and takes a fiddle out of his knapsack. He plays the young woman a tune, and she remarks on the nightingale's song: