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John Lee (1779–1859) by John Watson Gordon. Henry Raeburn (1756–1823) was the first significant artist to pursue his entire career in Scotland. Born in Edinburgh and returning there after a trip to Italy in 1786, he is most famous for his intimate portraits of leading figures in Scottish life, going beyond the aristocracy to lawyers, doctors, professors, writers and ministers, [8] adding ...
This is a non-diffusing parent category of Category:19th-century Scottish women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
Thomas Corsan Morton (1859–1928), artist known as one of the Glasgow Boys; James MacLauchlan Nairn (1859–1904), Glasgow-born painter who influenced late 19th-century New Zealand painting; Charlotte Nasmyth (1804–1884), landscape painter, daughter of Alexander Nasmyth; Jessie Newbery (1864–1948), Glasgow School artist and embroiderer
This is a non-diffusing parent category of Category:19th-century Scottish male artists and Category:19th-century Scottish women artists The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
This is a list of women artists who were born in or are closely associated with Scotland This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
This is a non-diffusing subcategory of Category:19th-century Scottish artists. It includes Scottish artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:19th-century Scottish male artists
The fashion for coastal painting in the later nineteenth century led to the establishment of artist colonies in places such as Pittenweem and Crail. The first significant group of Scottish artists to emerge in the twentieth century were the Scottish Colourists in the 1920s.
John Zephaniah Bell (1794–1883) was educated in London and was a forerunner of the trend of Parisian education that would become common among Scottish artists from the later nineteenth century. [27] The most significant grouping in late nineteenth-century Scotland, the Glasgow Boys, mainly focused on landscape.
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