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[1] [2] It is one of the earliest modern works in an Indian language, and it is the first Telugu play to deal with social issues. [3] [4] The play portrays the practice of Kanya-sulkam (roughly translates to bride price) which was common among the priestly Brahmins in Telugu-speaking areas of southern India. Controversial in its time, this play ...
He composed it in strict conformation with Telugu prosody which was published in 1972 in Telugu and English. Its translations into Hindi and Urdu appeared separately. His magnum opus Naa Desam, Naa Prajalu ( My Country, My People , Meri Dharti, Mere Log ) brought Seshendra prominence as one of the outstanding poets of India.
Aarudra was born in Yelamanchili, Anakapalli district, Andhra Pradesh, India on 31 August 1925. [7] Aarudra is the nephew of Telugu poet Sri Sri.After primary education, he shifted to Vizianagaram in 1942 for his college education.
Kannaki – the heroine and central character of the epic; she is the simple, quiet, patient and faithful housewife fully dedicated to her unfaithful husband in book 1; who transforms into a passionate, heroic, rage-driven revenge seeker of injustice in book 2; then becomes a goddess that inspires Chera people to build her temple, invade, fight ...
Dasarathi Krishnamacharya (22 July 1925 – 5 November 1987), popularly known as Dasarathi, was an Indian Telugu poet and writer. He held the titles Abhyudhaya Kavi and Kalaprapurna . [ 1 ] He was awarded the Sahitya Akademi Award for his poetic work Timiramto Samaram ( transl. Fight against darkness ) in 1974. [ 2 ]
Much that is known about Chalam's childhood comes from his 1972 autobiography titled Chalam.In it, he vividly mentions how he suffered beatings from his father and how his mother, residing at her parents’ home (in Tenali) even after getting married and starting a family with her husband, who belongs to Valluripalem of Krishna district, had to face a flurry of insults.
Mutyala Saralu (Telugu: ముత్యాల సరాలు) is a compilation of Telugu poems written by Gurajada Apparao in 1910. The compilation heralded the beginning of modern poetry in Telugu language. [1] The traditional meter is replaced by a new lyrical and four beat balladic rhythm.
Many poems are notable for describing unmarried girls daring for secret rendezvous to meet boys in ancient India, or about marital problems with husbands who remains emotionally a stranger to his wife and bosses over her, while trying to have affairs with other women. [2] Gaha Sattasai is one of the oldest known Subhashita-genre text. [3]