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The Birchmere is a concert hall in Alexandria, Virginia, that features rock, blues, bluegrass, country, folk, jazz, ethnic, and comedic performers.Its main room seats 500 and provides dinner service, making for an intimate space, with tables only a few feet away from the stage.
This is the Army first premiered at the theatre in 1943. The theatre in 2024 The theatre's kiosk in 2020. The Warner Theatre was originally developed by Aaron and Julian Brylawski in 1922.
Recently is an EP by the Dave Matthews Band, released in 1994.All songs are live recordings. "Recently" is an edit of the live version found on Remember Two Things, recorded at The Flood Zone in Richmond, VA on August 10, 1993; "Dancing Nancies" and "Warehouse" were recorded at The Birchmere in Alexandria, Virginia on February 21, 1994; "All Along the Watchtower" and "Halloween" were recorded ...
All releases are on the band's own label, Virginia Soul Records. EFO Live at the Birchmere (cassette only), 1991; A Juggler on His Blades, 1992; Actually Not, 1993; I Rode Fido Home, 1995
Live at the Birchmere (1984 Rounder) The Johnson Mountain Boys (1984, Copper Creek) We'll Still Sing On (1985, Rounder) Let the Whole World Talk (1987, Rounder) Requests (1988, Rounder) At the Old Schoolhouse (1989, Rounder) Blue Diamond (1993, Rounder)
The Seldom Scene is an American bluegrass band that formed in 1971 in Bethesda, Maryland. [1] The band's original line-up comprised John Starling on lead vocals and guitar, Mike Auldridge on Dobro and baritone vocals, Ben Eldridge on banjo, Tom Gray on double bass, and John Duffey on mandolin; the latter three also provided backing vocals.
Strength In Numbers was a progressive bluegrass supergroup formed in the late 1980s. The group featured Sam Bush (mandolin), Jerry Douglas (dobro) Béla Fleck (banjo), Mark O'Connor (violin, guitar, mandolin), and Edgar Meyer (bass).
Mike Auldridge (December 30, 1938 – December 29, 2012) was an American Dobro player and a founding member of the bluegrass group The Seldom Scene.The New York Times described Auldridge as "one of the most distinctive dobro players in the history of country and bluegrass music while widening its popularity among urban audiences". [1]