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With the rise of piano manufacturing Vienna in the 19th century, access to metal tuning pins and strings became much easier. The hammered dulcimer became popular throughout the Austro-Hungarian Empire, where it was quickly spread by itinerant Jewish and Romani (Gypsy) musicians.
Everything Dulcimer – Online community featuring articles, listings and discussion forums. The Dulcimerica Video Podcast – A video podcast featuring performances, lessons, interviews and travelogs. Friends of the Mountain Dulcimer – a supportive online learning community of mountain dulcimer players.
It is similar to the Hammered Dulcimer or Cimbalom. [1] This khim was introduced to Laos Thailand from China, [2]: 60 where a similar (though, since the late 20th century, usually larger) instrument is called yangqin. It is played with two flexible bamboo sticks with soft leather at the tips to produce a soft tone.
A yangqin on a stand. The trapezoidal yangqin (simplified Chinese: 扬琴; traditional Chinese: 揚琴; pinyin: yángqín; Jyutping: joeng4 kam4) is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer.
There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
The modern Hungarian concert cimbalom was designed and created by V. Josef Schunda in 1874 in Budapest based on his modifications to existing folk dulcimers. [1] He demonstrated an early prototype with some improvements at the 1873 Vienna World's Fair, gaining praise from audiences and drawing the attention of highly-placed Hungarian politicians such as József Zichy, Gyula Andrássy, and King ...
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