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American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir , the list takes 1960 to date the beginning of the genre.
The Friends of Eddie Coyle is a 1973 American neo-noir [1] crime film starring Robert Mitchum and Peter Boyle and directed by Peter Yates.The screenplay by Paul Monash was adapted from the 1970 novel The Friends of Eddie Coyle by George V. Higgins.
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
Pages in category "Neo-noir television series" The following 49 pages are in this category, out of 49 total. ... Heroes (American TV series) Hotel Beau Séjour; J ...
The Last of the Independents and Kill Charley Varrick) is a 1973 American neo-noir crime film directed by Don Siegel and starring Walter Matthau, Andrew Robinson, Joe Don Baker and John Vernon. Charley Varrick is based on the novel The Looters by John H. Reese , and is the first of four consecutive films in which Matthau appeared that were not ...
The Late Show is a 1977 American neo-noir mystery film written and directed by Robert Benton and produced by Robert Altman.It stars Art Carney, Lily Tomlin, Bill Macy, Eugene Roche, and Joanna Cassidy.
The Split is a 1968 American neo-noir [1] crime drama film directed by Gordon Flemyng.It was written by Robert Sabaroff, based upon the Parker novel The Seventh by Richard Stark (a pseudonym of Donald E. Westlake).
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