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City pop (Japanese: シティ・ポップ, Hepburn: shiti poppu) is a loosely defined form of Japanese pop music that emerged in the late 1970s and peaked in popularity during the 1980s. [12]
The following is a list of artists and bands associated with the city pop music genre during the late 1970s and 1980s (not necessarily solely city pop artists).. Groups and artists with aliases are listed by the first letter in their name, and individuals are listed by their surname.
This is a list of J-pop artists and groups. Originally an evolution of jazz, and coined New Music, the style went on to become known as City Pop, music with an urban theme. Later called Japan-made Pop, the term was shortened to J-pop and now encompasses a wide range of musical styles and genres.
The top music artists in Japan include Japanese artists with claims of 15 million or more record sales or with over 2 million subscribers. Japan is the largest physical music market in the world and the second largest overall behind the United States, and the biggest in Asia, according to International Federation of the Phonographic Industry .
Eiko Kawashima (川島 栄子, Kawashima Eiko, born 31 August 1961), better known as Anri (杏里), is a Japanese singer-songwriter from Yamato, Kanagawa Prefecture. [3] In a career spanning more than 40 years, she achieved commercial success and popularity in the city pop music scene during the 1980s.
Mariya Takeuchi (竹内 まりや, Takeuchi Mariya, born 20 March 1955) is a Japanese singer and songwriter. Regarded as an influential figure in the city pop genre, she is one of the best-selling music artists in Japan, having sold over 16 million records, and has received several accolades.
Pages in category "1970s in Japanese music" ... List of best-selling albums of the 1970s (Japan) C. City pop; List of city pop artists
The music on the album has been described as city pop, a slick commercial sound of music from late 1970s and early 1980s Japan. [2] Although the genre is often described as being about Japan embracing an affluent consumerist lifestyle, Mark "Frosty" McNeill stated that the style is "more of a vibe classification than a collective movement."