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It is signed "REMBRANDT F.". It portrays two people who had been identified as Rembrandt himself and his wife Saskia. In the Protestant contemporary world, the theme of the prodigal son was a frequent subject for works of art due to its moral background. Rembrandt himself painted a Return of the Prodigal Son in 1669.
B19, Self-portrait with Saskia, etching, 1636, one of the "official" etched self-portraits. [ 33 ] B20, 1638, one of van de Wetering's tronies , in the dress of an aristocrat from a century earlier, with an invented beard to match.
Saskia van Uylenburgh (Schloss Wilhelmshöhe, Kassel, Germany), 1633 The Prodigal Son in the Brothel, a self-portrait with Saskia van Uylenburgh (c. 1635) Rembrandt's portrait of Saskia van Uylenburgh (c. 1635) Saskia van Uylenburgh (West Frisian: Saakje fan Uylenburgh; 2 August 1612 – 14 June 1642) was the wife of painter Rembrandt van Rijn.
Inscribed Rembrandt f. / 1633 Portrait of Saskia as a Bride: 1633: Silver pen on white-grounded parchment: ... Inscribed Rembrandt ft. 1637 Self-Portrait: c. 1637 ...
Flora or Saskia as Flora (Bode 336; Dut. 267; Wb. 412; B.-HdG. 189) is a 1634 oil-on-canvas painting by Rembrandt, depicting his wife Saskia van Uylenburgh as the goddess Flora. It is held by the Hermitage Museum in St. Petersburg .
Rembrandt's Women, National Gallery of Scotland, Edinburgh, 8 June 2001–2 September 2001, Royal Academy of Arts, London, 22 September 2001–16 December 2001, cat. no. 25. Rembrandt and the Golden Age of Dutch Art.
Self-portrait with Plumed Beret: 1629: Oil on panel: 89.7 x 73.5: Isabella Stewart Gardner Museum, Boston: 29: Self-portrait with a Gorget: c. 1629: Oil on panel: 38.2 x 31: Germanisches Nationalmuseum, Nuremberg: 30: The painting is covered by a layer of yellowed varnish and shows darkened retouches Self-portrait Lit from the Left: 1629: Oil ...
[k] In his portraits and self-portraits, he angles the sitter's face in such a way that the ridge of the nose nearly always forms the line of demarcation between brightly illuminated and shadowy areas. A Rembrandt face is a face partially eclipsed; and the nose, bright and obvious, thrusting into the riddle of halftones, serves to focus the ...
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