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A Caeretan hydria is a type of ancient Greek painted vase, belonging to the black-figure style. Caeretan hydria is a particularly colourful type of Greek vase painting. [ 1 ] Their geographic origin is disputed by scholars, but in recent years the view that they were produced by two potter-painters who had emigrated from East Greece to Caere in ...
"Caeretan hydria" is the name used for an especially colorful style of black-figure vase painting. The origin of these vases is disputed in the literature. Based on an assessment of the painting the vases were long considered to be Etruscan or Corinthian, but in recent years the view predominates that the producers were two pottery painters who ...
Etruscan black-figure hydria, early 5th century BC. The local production of Etruscan vases probably began in the 7th century BC. Initially, the vases followed examples of black-figure vase painting from Corinth and East Greece. It is assumed that in the earliest phase, vases were produced mainly by immigrants from Greece.
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Bilingual vase painting was almost entirely restricted to belly amphorae of type B and to eye-cups.In some cases, either side of an amphora bore a depiction of the same motif, one in black-figure, the other in red-figure (e.g. on the belly amphora by the Andokides Painter, Munich 2301).
Late Geometric hydria, circa 700/675 BC. Paris: Louvre.. Boeotian vase painting was a regional style of ancient Greek vase painting.Since the Geometric period, and up to the 4th century BC, the region of Boeotia produced vases with ornamental and figural painted decoration, usually of lesser quality than the vase paintings from other areas.
The following is a list of ancient Greek vase painters who have been identified either by name or by style. Because of the research of academics like John Davidson Beazley, Arthur Dale Trendall, Robert Manuel Cook, Darrell A. Amyx and Conrad Stibbe more than 2800 individual painters are known.
Lekythos in Six's technique, Cabinet des Médailles, Paris (De Ridder 493). Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through.