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Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
Jerome, Museum of Fine Arts, Nantes, France. The Jerome Biblical Commentary is a series of books of Biblical scholarship, whose first edition was published in 1968. It is arguably the most-used volume of Catholic scriptural commentary in the United States.
For 2 Corinthians 13:14, the KJV has: 12 Greet one another with an holy kiss. 13 All the saints salute you. 14 The grace of the Lord Jesus Christ, and the love of God, and the communion of the Holy Ghost, [be] with you all. Amen. In some translations, verse 13 is combined with verse 12, leaving verse 14 renumbered as verse 13. [149]
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
The New King James Version organises it as follows (with cross references to other parts of the Bible): Luke 13:1–5 = Repent or Perish; Luke 13:6–9 = The Parable of the Barren Fig Tree (Jeremiah 8:13) Luke 13:10–17 = A Spirit of Infirmity; Luke 13:18–19 = The Parable of the Mustard Seed (Matthew 13:31–32; Mark 4:30–32)
The Word Biblical Commentary (WBC) is a series of commentaries in English on the text of the Bible both Old and New Testament. It is currently published by the Zondervan Publishing Company . Initially published under the "Word Books" imprint, the series spent some time as part of the Thomas Nelson list.
The Massacre of the Innocents is the subject of two paintings by Peter Paul Rubens depicting the episode of the biblical Massacre of the Innocents of Bethlehem, as related in the Gospel of Matthew (2:13–18). The first, measuring 142 x 182 cm, was painted after his return to his native Antwerp in 1608, following eight years spent in Italy. [1]
[4] The Gospel accounts (Matthew 17:1–9, Mark 9:2–8, Luke 9:28–36) describe the disciples as "sore afraid", but also as initially "heavy with sleep", and waking to see Jesus talking with Moses and Elijah and emitting a bright light. The disciples are usually shown in a mixture of prostrate, kneeling, or reeling poses which are dramatic ...