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"Tomorrow Is Tomorrow" (Japanese: 明日は明日, Hepburn: Ashita wa Ashita) is the third episode of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by co-executive producer Shannon Goss, and directed by Charlotte Brändström.
Yoriko Dōguchi as Kiri no Kata (Lady Acha, 1555–1637): Toranaga's wife; Mako Fujimoto as Shizu no Kata: Toranaga's younger, pregnant consort; Yuua Yamanaka as Toda Ryûji (Hosokawa Tadatoshi, 1586–1641): Mariko and Buntaro's son; Eisuke Sasai as Lord Ito: An influential warlord and Noh performer who is invited to join the council of five ...
There’s an inexplicable moment in the latest episode of Shōgun that I simply can’t shake. It’s not one of the many historical or political plots—and this scene has nothing to do with some ...
Sean T. Collins of The New York Times wrote, "Clearly, Shogun is building steam as our knowledge of both the characters and the stakes deepen. The more you see of it, the more you want to know how it ends." [9] Josh Rosenberg of Esquire wrote, ""War will be declared on my clan," Toranaga tells his men. "I desire no land. I want no honors.
The shogun presented Adams with two swords representing the authority of a samurai, and decreed that William Adams the pilot was dead and that Miura Anjin, a samurai, was born in his place. Ieyasu ...
"Crimson Sky" (Japanese: 紅天, Hepburn: Kōten) is the ninth episode of the American historical drama television series Shōgun, based on the novel by James Clavell.
"A Dream of a Dream" (Japanese: 夢の中の夢, Hepburn: Yume no Naka no Yume) is the tenth and final episode of the first season of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by Maegan Houang and Emily Yoshida, and directed by Frederick E. O. Toye.
"Broken to the Fist" (Japanese: 父の怒り, Hepburn: Chichi no Ikari) is the fifth episode of the American historical drama television series Shōgun, based on the novel by James Clavell. The episode was written by consulting producer Matt Lambert, and directed by Frederick E. O. Toye.