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In 1890, René Lalique opened a jewelry store in the Opéra district of Paris. While working in this new shop, some of René Lalique's most famous jewelry designs were created, as well as his experimentation and use of glass. The main motif of Lalique's jewelry design was the natural world.
Lalique is a French luxury glassmaker, founded by renowned glassmaker and jeweller René Lalique in 1888. [1] Lalique is best known for producing glass art, including perfume bottles, vases, and hood ornaments during the early twentieth century.
Art Nouveau artists such as René Lalique, [11] Lucien Gaillard [12] and other French and German artists predominantly used plique-à-jour in small jewellery, though the Victoria & Albert Museum has a tray of 1901 by Eugène Feuillâtre (1870–1916). [13]
The domain of Art Deco glass art in Paris was dominated by René Lalique, who had first made his reputation at the 1900 Paris Exposition, when he was the first jeweler use glass in jewelry. Besides table glassware, he designed a wide variety of glass art objects, both practical and decorative, including glass hood ornaments for luxury automobiles.
René Lalique, best known for glass art, was also a major figure in Paris Art Nouveau jewelry design. Like Fouquet, he combined more traditional materials, such as diamonds and emeralds, with semi-precious stones, amber, ivory, pearls, enamels, horn and other natural materials to create original and imaginative forms.
He was a contemporary of René Lalique. [3] He won a prize for his jewellery at the 1889 Universal Exposition. [4] He was also a judge at the 1893 Universal Exposition in Chicago. In 1902 he was made a knight of the Legion of Honour. He was deeply interested in Japanese art. [2]
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