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"Dandelion" is a song by the English rock band the Rolling Stones, written by Mick Jagger and Keith Richards, and first released as a B-side to "We Love You" in August 1967. As recently as October 2023 [ 6 ] Keith Richards confirmed that John Lennon and Paul McCartney sing backing vocals. [ 7 ]
Jagger (left) and Richards (right) in June 1972 at Winterland in San Francisco. Jagger–Richards (spelled Jagger–Richard from 1963 to 1978) [nb 1] is the songwriting partnership between English musicians Mick Jagger and Keith Richards (both born 1943), founder members of rock band the Rolling Stones.
The lyrics to the song are notably dark, and feature the line, "I'll be in my basement room, with a needle and a spoon", a reference to injecting heroin. "Dead Flowers" was written during the period when the Stones were stepping into country music territory, when Richards's friendship with Gram Parsons was influencing his songwriting. Jagger ...
"We Love You" is a song by the English rock band the Rolling Stones that was written by Mick Jagger and Keith Richards. Their first new release of the summer of 1967, it was first released as a single on 18 August in the United Kingdom, with "Dandelion" as the B-side.
The Rolling Stones (UK) England's Newest Hit Makers (US) Nanker Phelge [a] Jagger "Off the Hook" 1964 1965 The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Jagger/Richards Jagger "Oh, Baby (We Got a Good Thing Going)" 1964 1965 Out of Our Heads (UK) The Rolling Stones, Now! (US) Barbara Lynn Ozen: Jagger "Oh No, Not You Again" 2005 ...
Van Zandt's Roadsongs album version of The Rolling Stones' "Dead Flowers" was used during the final scene of the Coen Brothers' 1998 film The Big Lebowski. The song was included on the movie's soundtrack. [80]
The British track listing included the more obscure "You Better Move On", from The Rolling Stones' self-titled 1964 debut EP and "Sittin' on a Fence", an Aftermath outtake originally released in 1967 on the US-compiled Flowers album. In addition to those songs, many tracks, notably single-only releases, were collected for the first time on a UK ...
Because of its assorted compilation, Flowers was originally disregarded by some music critics as a promotional ploy aimed at American listeners. [5] Critic Robert Christgau, on the other hand, suggested that managers Andrew Loog Oldham and Lou Adler released the album as a "potshot at Sergeant Pepper itself, as if to say, 'Come off this bullshit, boys.