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The Golden Age of Mexican Cinema (Spanish: Época de Oro del Cine Mexicano) is a historical period in the cinema of Mexico that lasted from 1936 to 1956. [1] It was marked by the production of highly praised films that shaped Mexican national identity and culture .
In Colombia, Carlos Mayolo, Luis Ospina and Andrés Caicedo led an alternative movement that was to have lasting influence, founding the Grupo de Cali, which they called Caliwood and producing some films as leading exponents of the "New Latin American Cinema" of the 1960s and 1970s, including Oiga, Vea, The Vampires of Poverty (Ospina) and ...
The Golden Age of Argentine cinema (Spanish: Época de Oro or Edad de Oro del cine argentino), [11] [12] sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: período clásico-industrial), [13] [14] is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s ...
History of the Occult (Spanish: Historia de lo Oculto) is a 2020 thriller horror film written and directed by Cristian Ponce in his feature directorial debut.An international co-production between Argentina and Mexico, the film is presented as the final episode of a fictional 1980s Argentine television news program titled 60 Minutes Before Midnight, during which the show's journalists attempt ...
The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called rumberas, dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema.
The films were centered around underclass delinquents, drugs, and love, and usually starred non-professional actors picked off the street. [2] The most representative directors of the genre are José Antonio de la Loma [] and Eloy de la Iglesia, even if other directors such as Carlos Saura, Manuel Gutiérrez Aragón and Vicente Aranda also reproduced the quinqui social imaginaries in some of ...
Los muchachos de antes no usaban gomina: Enrique Carreras: 13 March: El profesor hippie: Fernando Ayala: 31 July ¡Qué noche de casamiento! Julio Porter: 28 August: Quiero llenarme de tí: Emilio Vieyra: 8 May: El salame: Fernando Siro: 21 August: Soluna: Marcos Madanes: 6 March: Players vs. ángeles caídos: Alberto Fischerman: 11 June: Tiro ...
The Golden Age of Argentine cinema (Spanish: Época de Oro or Edad de Oro del cine argentino), [2] [3] sometimes known interchangeably as the broader classical or classical-industrial period (Spanish: período clásico-industrial), [4] [5] is an era in the history of the cinema of Argentina that began in the 1930s and lasted until the 1940s or 1950s, depending on the definition, [note 1 ...